Terrance
Dicks was always there.
He
was a whole half of the D-section in Newton Aycliffe library, that boxlike
plywood prefab construction at one end of our concrete town centre. Those WH
Allen hardbacks with white spines were the stuff of dreams and feverish late
night re-readings by torchlight. For me, Terrance Dicks’ books are more 70s Who
than the TV episodes are. They hold up better in retrospect, I think. It’s a
whole, perfect era of Who which begins, for my money, with that splendid ‘Auton
Invasion’, which somehow manages to impart the true terror of the Autons and
the panic they would cause. And it makes the Doctor new to us, too: this brand
new Doctor, irascibly uncomfortable in his new home on Earth.
Dicks
writes so well about the Third Doctor being stuck on Earth. We really believe
in his fury when, years later, in ‘The Eight Doctors’ the Eighth Doctor pays an
unexpected visit and almost gets clouted unconscious and his TARDIS nicked by
the velvet-clad fop.
If
we follow Dicks’ Target Doctor Who story it’s one of being trapped on Earth,
building a haphazard family, having adventures in pre-punk England… and finally
earning freedom again (by engaging in ‘the most extraordinary adventure in his
very long life’)… but as he gains his freedom, he loses that family of his, bit
by bit… and eventually his own self – in the cobwebby catacombs of Metebelis
Three. It’s a story of having to turn into someone even more cantankerous and
wayward… and shooting off into space again… into ramshackle voyages into space
and time… gradually severing the ties with Earth – losing Jo, Mike, Harry, then
Sarah, Benton and the Brig… becoming a lonely wanderer whose adventures happen
on a cosmic scale. And, though he did novelise later tales – I think that’s the
furthest end of the Dicks era. The end of the Seventies, with the Doctor in a
new, hip, space-family of intellectuals – a clever dog, a clever lady
companion. They trip about the cosmos, wryly amused by it all. Where once the
Doctor and his UNIT chums got stuck into adventures… now the Doctor, Romana and
K9 slide effortlessly through life on charm.
I
think his books, put together, form a lovely complete story about the Doctor’s
life – lucidly told and highly influential to readers such as myself. A story
about a Doctor who begins as a cross, mysterious stranger – and ends up, still
a stranger, but one who’s learned to take life less seriously. Who can’t see
the benefit of getting all hot and bothered. Who would rather laugh his enemy
into oblivion than blow him into smithereens.
I
read these books again and again. But I would read other things as well. I
branched out at first by reading other books by Terrance Dicks. And here I must
put in a word for those two other series he wrote for WH Allen and Target. I’ve
collected them up again in recent years and reread them with great enjoyment.
There’s
his ‘Star Quest’ series, about three young humans taken off into space to
become affiliates of a great galactic Federation at war with an evil empire. And,
even less well known, there is his glorious series of five books about five
kids involved with fighting monsters. In this series, he runs through new, late
70s iterations of the Universal movie monsters. It’s a fantastic YA series and
surely needs reprinting. My favourite is the riff on Frankenstein, ‘Marvin’s
Monster.’ It contains a scene that must be one of my favourites he ever wrote:
an update of the monster meeting the blind man from the old movie. In Terrance
Dicks’ version the school project monster rampages through the streets of the
shabby little town, and wanders into an Asian grocery where he meets the
elderly blind man sitting at the counter, who helps him patch up his wounds
with corner shop first aid supplies.
It’s
a scene of great compassion and all to do with humanizing monsters. Something
which all of Dicks’ books try to do, I think.
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