‘I don’t do families.’
Can the best Doctor Who stories be summed up in
a question?
What was missing from every Aliens-invade-Earth
Doctor Who story of the 1970s?
Best moment for Old School Who?
Glimpsing elements from the 1970s UNIT stories,
but watching them being played out in this new version of Doctor Who is
wonderful, surreal and exciting. While Twentieth Century Who excelled (and
probably peaked) in the first three episodes of ‘Terror of the Zygons’ in 1975,
with misty moors, spooky pubs, country lanes and space ships made out of pizza
toppings – that story really came apart when we followed it to London for part
four. Doctor Who in 2005 brings us the wider picture – smashed landmarks, 24 hour media
coverage, traffic jams, chaos and intrigue in the halls of power, and the
reactions from council estates. And still the Doctor is at the heart of every
one of these scenes. He’s the best expert on aliens that the world has ever had
– still. Just as he was back in the day. He just hangs out in people’s living
rooms as often as he does secret laboratories.
Best new thing?
These two episodes form the best-structured
story Doctor Who has ever had, up until this point. Hands down. Everyone gets
something to do. It even pulls off a triple-headed cliffhanger. It’s the same
length as an old school four-parter – and it orchestrates itself beautifully.
There are no slack bits, boring bits, or characters who don’t get their moment
to contribute or shine. This is the biggest new thing in New Doctor Who at this
point: characters who stay in character and say and do things beautifully in
character.
They’d never have got away with that in the 20th
century…
It’s the way it cuts straight to the heart of
the story. Aliens land on Earth. Or rather, aliens fake aliens landing on
Earth. What happens? Why? Where’s the real story? It’s in the juxtaposition of
the cabinet room at Number Ten Downing Street with Mickey’s skanky kitchen and
that of activated nuclear warheads and pickled gherkins. Doctor Who has never
been as confident in its use of bathos and outrageousness as it is here. Also,
it’s very political – the script is filled with references to bogus evidence of
weapons of mass destruction and UN resolutions and very direct references to
the ‘War on Terror.’ The comedy of it all allows it to be much braver in its
satirical targets.
Hurray for Jackie Tyler – best guest moment?
I’m tempted to say Jackie Tyler again for almost
every scene she’s in, but my favourite here is Harriet Jones, MP for Flydale
North. Penelope Wilton is the spiritual descendent of Nicholas Courtney’s
Brigadier Lethbridge-Stewart in New Who – kindly, bewildered and ultimately
courageous. Her reactions to the unmasked Slitheen family members are
absolutely priceless. Everything she goes here is golden. She didn’t return to
the series half enough, as far as I’m concerned. I was longing to see at least
one story in which she went to another planet. Something along the lines of the
Brigadier trying to remain unflappable in the universe of anti-matter in 1973.
Maybe it could still happen.
The ‘I love me Nan…’ moment
I don’t feel any of the emotions or character
work are over-milked here. Everyone is spot on. I love Jackie’s reactions to
seeing Rose again and the tears and shock of her coming back from the presumed-dead.
The very human reactions to alien invasion are wonderful. Watch it happen on
telly. Have a party to celebrate first contact. The other very welcome
injection of pathos comes with the fabulously old-school scenes with the space-pig.
Even that tiny walk-on / drop-dead role is imbued with proper emotion. He’s a
victim and the Doctor’s righteous anger is marvelous. Nothing and no one is
beneath this Doctor’s notice. He even finds a way, late in the story, to pay
Mickey a compliment.
What?!?
Here the mythos-building is to do with the way
the Doctor is remembered on Earth. The internet knows about him. Mickey has
been looking him up in the year that has passed since ‘Rose.’ When the word
‘Tardis’ is mentioned alarms are tripped, and the military are waiting for the
Doctor, who hasn’t been seen around these parts for quite some time. In this
story we get a great sense of the mysterious history of the Doctor on Earth and
his secret career in foiling invasions. Of course, it’s less mysterious to us
than it is to his new friends, and there’s a great frisson in the fact that
this new series is embracing all those past adventures. Both old fans and new
are being welcomed equally warmly.
Huh?!
Mickey’s getting into the UNIT files from his
back bedroom and activating submarine missiles to destroy Number Ten really
works here. It’s outrageous and we believe in it. But… Jackie says that she
could stop him, any second, and save her daughter. And it’s true – all she’d
have to do is smack him one or, even better, unplug his PC at the wall. This
little moment stayed in my mind because, over the next few seasons, Doctor Who
– like any other SF TV show, had quite a lot of computer screens on show. Cast
members gazing at screens and clicking buttons very quickly and saving the day
would become a bit too common for my taste. Here though, it works, because it’s
still real and palpable somehow.
Where was I?
We watched this back in Norwich, on a return
visit. We watched it with old friends. People I’d watched old Who with into the
early hours over quite a few years, and we’d often have those conversations
about what Doctor Who might be like if it came back. And here it was. I never
gave a hoot about farting aliens and the comedy aliens because it was clear
that they were nasty deep down in the good old-fashioned way. The story struck
me then as great fun, and a way of resurrecting all those fabulous UNIT
adventures of the past, but in a wholly modern way. Watching it again now, it’s
clearly the best constructed and performed story in New Who so far.
Singlemost fabulous thing
I think it has to be the Doctor’s grinning excitement
when he finds out that aliens are invading, and the way he sparkles whenever
things take a turn for the worse. He reacts like someone has laid on a surprise
party for him.
I'm loving these retrospectives. Keep them coming, please.
ReplyDeleteHere's a question for you Paul; if Big Finish ever won the rights to produce "new" series Doctor Who stories (and fingers crossed for this) would you personally be interested to write for Nine, Ten, or Eleven?